The EMP Pop Conference covers a lot of ground in its panels, discussions, and presentations – where else could you find programming covering both a Missy Elliott retrospective and a roundtable seeking to find out what the worst song ever is? – so it only makes sense that for its Seattle artist show…
Wow, another year of Bumbershoot action already over, and what a ride it was! This year's festival was truly a different beast. With the new overhead having a full year to strategize and plan logistics, it seemed like by day 3, a lot of these were starting to go out the window. Crowd rushing in the…
At the Paramount Theatre last week, Phantogram opened their set without even being on stage. After they performed two songs obscured from the audience, a screen fell shortly thereafter, revealing the New York duo behind the fourth wall to fervently shake the physical walls of the venue. Going from …
From his hardcore punk days to being called one of the most "important dance music figures" by AllMusic, Richard Melville Hall has led an interesting life under the moniker Moby. This Thursday, June 23rd, he'll be reading and signing from his new memoir, Porcelain, at the downtown branch of the Sea…
Music and beer are a perfect pair. Add Seattle as a backdrop, and it gets even better. At Elysian’s 20th Anniversary event this past Saturday, fans of all three came together for a celebratory day at Seattle Center’s Fisher Pavilion. Festival attendees sipped Elysian brews to sets by Ming City Rock…
I think I've found, in Ed Ka-Spel (and his band Legendary Pink Dots), an artist who could go up against Peter Hammill in terms of voluminous artistic output and lasting influence. Yet again I find myself faced with an insanely daunting discography and biography, and a raft of adoring comments (and,…
A couple of months ago, we were able to tease the forthcoming album by Fruit Bats, the "reunited" project of one Eric D. Johnson, who broke from his 16-year career under that name, recorded briefly as EDJ, and now is back. His forthcoming album's first song, "From A Soon To Be Ghost Town", which we…
Among the Polish artists we discovered during the recordings KEXP captured while at the OFF Festival in Katowice, Poland, perhaps none better exemplifies the country's musical diversity as Olo Walicki. The Gdansk-born composer, performer and bass player has recorded many albums of his own throughou…
Even without all Black Flag related nonsense that’s been happening on and off for two years, Keith Morris has recently enjoyed a compelling and visceral return to the spotlight. He hosted his own punk station on the new Grand Theft Auto game and has returned to present tense conversation for all th…
Dee Dee Penny is a woman who cannot be held down. With pretty much every album she's crafted with Dum Dum Girls, she's pushed forward the cutting edge of the Brooklyn indie rock scene. That case was especially evident with 2011's Only In Dreams. Together with its phenomenal coda EP, End of Daze, De…
Are bands really "side projects" when they sound this good? All members of RNDM are best known for other work, but with their debut, Acts, and a kicking live show, that may very well change. NYC based singer-songwriter Joseph Arthur has been insanely prolific as a solo artist since his 1997 debut, …
This week's installment of Review Revue -- as is often the case -- finds me learning about all sorts of things I never knew existed, most of which are listed in the title of this very post. Bill Nelson and Daryl Runswick? Never heard of either. Scala? Brond? No idea. And yet due to the technologica…
The problem with cool stuff is there's always a process by which it becomes uncool. A handful of true artists perfect a craft and then an uncanny number of hackneyed copycats sample bits and pieces out of context and bastardize the whole thing to no end. This is maybe no better exemplified than wit…
Friday night of Decibel Festival 2015 not only continued the celebration of its 10th anniversary but also festival founder Sean Horton's birthday. And while the night provided many enticing showcases, one was hard pressed to find a more entertaining one than Body Language at Q Nightclub. Mr. Horton…
With the exception of maybe Kendrick Lamar's epic To Pimp A Butterfly cover, Tame Impala's Currents should win the award for 2015's best artwork. The Australian psych outfit are no stranger to great art - 2012's Lonerism sported a similarly self-describing title, on the outside of an iron gate look…
On stage Annie Clark, or as she's known, St. Vincent, is like an alluring, otherworldly android. She skitter steps around rapidly on high stiletto heels, staring blankly and doe-eyed, smiling at odd times while tearing through guitar lines seemingly effortlessly. Much of her show seems almost chore…
It’s time again for Friday on My Mind. Our weekly blog post where we look at videos centered around one common theme. This is a collaborative effort between KEXP and King 5 News. The weather here in Seattle is out of control super summer awesome. And what makes a sunny summer day even better? Brand…
For a moment there, it looked like The National's headlining set at Sasquatch – one of the band's biggest shows to date – was going to be underwhelming. For the first twenty minutes, the band felt too mellow, and frontman Matt Berninger, disinterested. And then, after "Don't Swallow The Cap", a swi…
