Each week, Music Director Don Yates shares brief insights on new and upcoming releases for KEXP's rotation.
NYC-based DJ and event organizer Lychee delivers a hypnotic guest DJ mix for Midnight In A Perfect World that swims through cerebral underground techno and adventurous dancefloor rhythms.
Each week, Music Director Don Yates shares brief insights on new and upcoming releases for KEXP's rotation.
It’s KEXP’s 50th anniversary, and to celebrate we’re taking an in-depth look at each year of our history – from 1972 to 2022. All year long we’ll be bouncing around the timeline, pulling out the best music from a different year each week – both the songs we all know and love and music we might’ve missed the first time around. Tune in to hear spotlight features every Wednesday, and highlights from each year throughout the week. Listen live wherever you tune in, and use KEXP's Two-Week Streaming Archive to catch any spotlights you may have missed!
Made possible in part by Swansons Nursery, Caffe Vita, and The Black Bibs.
| Date | Year Featured |
|---|---|
| Sep 7 | 2019 |
| Sep 14 | 2008 |
| Sep 21 | 1995 |
| Sep 28 | 1976 |
Please note: in-studio sessions are broadcast only; video will be shared on our YouTube channel at a later date. All times are reflected in Pacific Time.
Throwaway Style is a monthly column dedicated to examining all aspects of the Northwest music scene. Whether it’s a new artist making waves, headlines affecting local talent, or reflecting on some of the music that’s been a foundation in our region; this space celebrates everything happening in the Northwest region. Check out some past columns below, and stay tuned for new ones published on the first Thursday of every new month on KEXP.org
For a special edition of Throwaway Style, Martin Douglas explores how his love for local music has helped him navigate a tumultuous life.
Portland punk supergroup Hurry Up released their first album in five years with their great LP named after the Oregon Coast landmark. Martin Douglas explores the band's stellar (and under-the-radar) full-lengths.
Martin Douglas reevaluates the British Columbia band's sterling debut album.
