En nuestra última entrega de la primera temporada, Helado Negro abre su soundtrack personal y sus memorias como artista Latinx nacido en los Estados Unidos, mientras rompe las barreras monolíticas alrededor de lo “latino.”
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Today's Song of the Day, as chosen by Sharlese in honor of Halloween, is "Cuerpo Muerto" by El Ojo y La Navaja from the 2021 self-released album Extimidad.
Today's Song of the Day, as chosen by Albina Cabrera, co-host of El Sonido, is "La Carrera de Los Perros" by Caribe Ácido, from the 2024 self-released Ciudad Nueva EP.
In the liner notes of her latest album, Ivy Tripp, Katie Crutchfield — better known by her recording alias Waxahatchee — has a photo of none other than Dolly Parton. She laughed when KEXP DJ Stevie Zoom asked her about it. "I have Dolly everywhere I go," she smiled. Like Parton, the Alabama-born Cr…
Ever since Warpaint first made their mark around 2008, the words "hypnotic", "atmospheric" and "brooding" have been applied by critics and fans in the most appealing ways. Their recent self-titled, sophomore full-length finds the LA band no less ethereal yet stretching further out with their minima…
Summer is gone but the music never stops. Here's another sampling of tunes from Midday Show host Cheryl Waters to usher you into fall. Featuring new songs from Owl John, J Mascis, Pete Molinari, Modern Kin, Ty Segall and more! 1. Ylja - Dúmdara lara 2. Fernando - The Dogs 3. Peter Matthew Ba…
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El Sonido: Cancioneros — KEXP’s podcast where Latin artists share the cancionero of their lives: five songs that shaped who they are as people and artists. New weekly episodes starting April 27th. Subscribe to the KEXP Podcasts channel on YouTube to follow along with English su…
This week's highlights include the latest from Hudson Mohawke. The Scottish producer, a.k.a. Ross Birchard, shares his sophomore full-length, and KEXP Music Director Don Yates notes the release "finds him bringing a bit more restraint to his maximalist blend of various electronic styles with R&…
December kicks off with another slew of great reissues, including a deluxe version of Yo La Tengo's 1994 release Painful. As frontman Ira Kaplan delightfully quips, "Anyone who ever said they liked our older records more than Painful, I just told them they’re wrong." The deluxe version, titled Extr…
On the show this time, it’s the Mexican-American indie-folk of Portland’s Y La Bamba.
All week long on the KEXP Blog (here and here), we've been celebrating the release of Israel Nash's latest, Israel Nash’s Silver Season. KEXP Music Director Don Yates calls it "another impressive set of psych-tinged folk-rock reminiscent of Neil Young, featuring a warm, ‘70s-steeped sound with expr…
When it comes to Mike Krol, it's not three strikes and you're out. For the LA based, Milwaukee born songwriter, the third time's a charm, or rather, a Turkey. His third LP, and recent Merge Records release, avoids incarceration with a liberating blast of hook-filled garage rock, smart self-reflecti…
All hail Father John Misty, whose sophomore release I Love You, Honeybear comes out tomorrow on Sub Pop. Watch the charismatic performer turn out an acoustic rendition of "I Went to the Store One Day" in a French café, via La Blogothèque's famed "Take Away Show" series. And tune in to KEXP tomorro…
Seattle's Chastity Belt play energetic indie rock 'n roll. They are sarcastic, sharp and both complex and simple all at once. They are also an all-female band. But does gender matter when it comes to the music they produce? Does it matter for the bands Childbirth, Lemolo or La Luz? You get the sens…
LA garage pop outfit Bleached have been rising strong on the scene in the last year with a number of fantastic singles and well known strong live presence. The band mixes West Coast surf tendencies with the gorgeous melodic punk of bands like Vivian Girls and Dum Dum Girls, delivered through tight …
LA band Milo Greene play what they have dubbed "cinematic-pop". Theirs is an expansive sound, that has the ability to transport you and envelop you like good film music does -- but they also hang on to a pop sensibility that allows the film-less music to stand on its own (again, as good film music…
