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Every Monday through Friday, we deliver a different song as part of our Song of the day podcast subscription. This podcast features exclusive KEXP in-studio performances, unrealeased songs, and recordings from independent artists that our DJ’s think you should hear. Today’s song, featured on the Mo…
It was another flawless Friday evening at last week's Concerts at the Mural event. The only thing brighter than the August sun was Seattle boys Bread & Butter, who delivered a performance of pure power pop joy. Youngsters Naked Giants defied everyone's expectations with an adrenaline-fueled per…
Only a year or two after establishing itself as the first NYC music festival to actually pull off an event with the caliber and scope fitting of the city, The Governors Ball Music Festival is at a crossroads. Stereogum's Michael Nelson does an excellent job explaining it in depth, but due to the em…
Master filmmaker and composer John Carpenter just doesn't know when to slow down. With almost 4 decades now separating him from seminal films and soundtracks like Dark Star, Assault on Precinct 13, Escape from New York, Halloween, and The Fog, Carpenter is looking to expand his repertoire. 2015 mar…
We couldn't be more excited for Seattle electronic group Beat Connection, who've seen nothing but forward, progressive growth over the six years of their existence. From the nu-house leanings of their debut EP, Surf Noir, and the massive pop thresholds of Palace Garden, the band has reached a focal…
On stage Annie Clark, or as she's known, St. Vincent, is like an alluring, otherworldly android. She skitter steps around rapidly on high stiletto heels, staring blankly and doe-eyed, smiling at odd times while tearing through guitar lines seemingly effortlessly. Much of her show seems almost chore…
At KEXP, we get excited about a lot of Icelandic bands, and we're thrilled to watch so many of them reach the wider audiences they deserve, but few seem as immediately poised for arena rock stardom as Mono Town. The trio's emotive and often explosive songs draw heavily from a shared love for Britp…
Justin Vernon had a pretty ridiculously awesome 2011. It was the year he dropped his self-titled second LP as Bon Iver, receiving widespread critical acclaim, a Grammy, and securing his place in the indie rock spotlight for as long as he wanted. Among plenty of others, his work as Bon Iver garnered…
“Hey Joe, sorry to hurt you, but they say love is a virtue, don’t they?” On The National’s new single “Sea of Love”, this quiet apology to a friend is a battle cry for affirmation of love. At this point, The National are indie rock legends, and themes of terrible love and trying relationship are no…
I Dreamed I Was A Very Clean Tramp is exactly the succulently-written, shit-talking, salty dog memoir you’d want from the man who dreamed and ignited punk. Richard Hell was a fun-loving little Kentucky cowboy as a kid, loving TV, growing up with peak period 60s Stones and Dylan LPs, dreaming of tak…
The album cover for Minnesota rapper Brother Ali's 2012 LP, Mourning in America and Dreaming in Color, features the Muslim artist praying towards Mecca and kneeling on an American flag as his prayer rug. The image encapsulates much of the spirit which Brother Ali has staked his career on. Brother…
Sweatson Klank is the alias of Los Angeles-based electronic producer Tom Wilson, also previously known as Take. He's a veteran of the underground beat scene with releases for revered labels such as Brainfeeder, Project Mooncircle, Alpha Pup, and All City Records. He's consistently evolving his cutt…
