Breeze - Come Around (feat. Cadence Weapon)

Song of the Day
Hosted by Cheryl Waters

Today's Song of the Day, as chosen by Cheryl Waters, host of The Midday Show on KEXP, is "Come Around (feat. Cadence Weapon)" by Breeze, from the 2021 album Only Up on Hand Drawn Dracula.


 
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pHOTO by Jayme Keith
written by jasmine Albertson

Toronto-based producer Josh Korody has a long list of credits to his name including Dilly Dally, Beliefs, and Nailbiter but his main solo project is the monosyllabically titled Breeze. For his latest album as Breeze, Only Up, Korody recruited pretty much anybody and everybody in the Toronto scene to join him in collaboration to make a record in only eight days. Members of Orville Peck, Tallies, Vallens, Zoon, Sauna, Fake Palms, Rapport, Praises, Civic TV, Moon King, Blonde Elvis, For Jane, Ducks Ltd, TOPS and Broken Social Scene all have their fingers on the frenetically fun album.

Our Song of the Day is the record’s early single “Come Around.” Energetic and eclectic, the song mashes genres together in a way that makes “Come Around” sound so wrong that it’s right. Psychedelic guitar strums meld with hard-hitting tribal beats and post-punk howls that feels caustic on first listen but gets soothing on repeated spins.

Then, just when your brain is starting to comprehend what’s happening, Cadence Weapon (the musical pseudonym of rapper/writer Rollie Pemberton) jumps in halfway through for an unexpected verse of nonsensical but clever as hell lines like, “On the web I surf like Brian Wilson.” After a cool 40 seconds, he dips out and we’re back to Korody’s trippy nightmarish yowls. Korody had his to say about the song:

“Come Around” is about someone that has done something horrible and has not shown any accountability or true remorse and the fear they – or have the nerve – to be able to jump back into a community that no longer feels comfortable around them. So, as I’m singing the song I’m picturing performing it live with them walking into the room and making people, especially the people closest to them, extremely uncomfortable and angry. The lyrics: ‘Yeah, you really did a number on this one’ references the trauma they imposed upon the community. When Rollie (Cadence Weapon) comes in, his lyrical dialogue is a bit more separate, it’s more fun but still comes from frustration as well and it quickly takes myself and others out of that dark place with the hope of trying to move on and to enjoy the life we have.”

 

 

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