Come As You Are: A Live Finale

The Cobain 50
To celebrate the end of The Cobain 50 and El Cancionero de Kurt, our hosts recorded a live conversation reflecting on both series in the KEXP Gathering Space.
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This episode marks the end of The Cobain 50 and El Cancionero de Kurt. After going through all 50 albums from Kurt’s list, we celebrated with an event in KEXP’s Gathering Space with a packed house of fans of Nirvana and the podcast to reflect on the series, what it’s meant to us, and what we’ve learned going through all of this music. 

Below find translations of the Spanish and Portuguese clips aired throughout the episode. 

Thank you to everyone who has supported our podcasts. We love you so much, it makes us sick. 

CLIP #1: 

Luis Carlos Calanca: “Maybe it made him explode, again in Brazil and worldwide it was Kurt Cobain when the band Nirvana came here. Months later, when Kurt Cobain saw them here, he started saying that the band was sensational. And then all the kids wanted to know about Os Mutantes. 

Lucinha Barbosa: “That’s how, word of mouth, I think, until '98, the big ones started to pay attention because there was no one to stay, no major record company that advertised didn't have that exactly through the fans themselves, word by word.”

CLIP #2: 

José Bellas: Yes, that's right.The next day interviews were scheduled. I had to interview Dave Grohl. and I spent some time before the show at the house of one… one of the two managers of Los Brujos that was Alejandro Almada and he gave me a record for them. I took it there and 
I gave it to him (Dave). Anyway, another thing that was going around was that, during Los Brujos' soundcheck, Grohl showed up  and went to backtages singing the song,
people were saying that before Nirvana went on.

CLIP #3: 

Jorge Francisco Soto Flores: Seattle could be any city in Chile. Seattle is a remote place, a rainy place, a place of forests. We (Chileans) are the end of the world, we are the outsiders. We have barriers that could be the Andes Mountains, the desert, the ice, the Pacific Ocean… It happened at a specific time in the 90s. We were returning to a pseudo-democracy. There is also something about representation with the lyrics in every aspect from pessimism now knowing what is going to happen next and also added to to the fact that Chileans love rock music. They are fans of rock and metal. What reason is there for people to be so fanatical about Chris Cornell that here is a god? About Cobain who is a god; that Eddie Vedder, who is a god; Mark Lineman who is a god. I think that’s the only explanation. I don’t see any other, honestly. 

Hosts: Dusty Henry, Martin Douglas, and Albina Cabrera 
Audio Recorded by: Brandon Fitzsimmons
Audio Produced by: Julian Martlew and Dusty Henry
Mixed & Mastered by: Matt Martin 
Special thanks to: Roddy Nikpour, Isabel Khalili, and Larry Mizell Jr.

More From The Cobain 50

On our penultimate episode — and the final album on Kurt Cobain’s list — Martin Douglas dives into Yip/Jump Music by Daniel Johnston.

Janice Headley chats with frontman and co-founder Jad Fair for this in-depth look at the Half Japanese album We Are They Who Ache with Amorous Love.

Dusty Henry digs deep into the two Butthole Surfers albums from Kurt’s list – Pee Pee The Sailor and Locust Abortion Technician.