Mount Eerie's 2017 album, A Crow Looked at Me, was a stunning and devastating document of loss. On Now Only, Phil Elverum attempts to move on with his life while recognizing the grief that is still -- and will likely always be -- with him.
In this edition of Rewind, Martin Douglas explores Shabazz Palaces' odyssey-like sophomore album, which surveys its environment with more street savvy than the group is often given credit for.
In honor of Indigenous People's Day, KEXP shines a spotlight on Seattle organizations who are making a difference, like Eileen Jimenez of Highline College's TRiO Program.
The bassist discusses everything from the group’s unique approach to collaboration, their mutual love for graphic design and video, his side-project LZNDRF, and a bit of what it was like to be animated for Bob’s Burgers
David Hinds of Steel Pulse talks to KEXP's DJ Miss Ashley about their first new studio album in 15 years, what it's like to tour after all these years, and more.
Born in Ethiopia but raised in Espoo Finland, Mirel Wagner and her acoustic guitar treat the Midday Show to a sparse set of quiet songs from the album, "When The Cellar Children See the Light of Day." Recorded 11/20/2014 - 4 songs: 1 2 3 4, What Love Looks Like, The Dirt, Taller Than Tal…
British-born Americana singer-songwriter Pete Molinari performs a live set in the KEXP Studio, featuring songs from 2014's "Theosophy" and a Billy Childish cover to close out the set. Recorded 09/24/2014 - 4 songs: Evangeline, You Will Be Mine, What I Am I Am, I Don't Like The Man I Am.
Like the extravagant iridescent plumage of the peacock, DJ Kevin Cole’s latest Music That Matters mixtape comes in many musical colors and includes new songs from Hatchie, Kishi Bashi, Jamila Woods, Chong the Nomad, and Ibibio Sound Machine. Silken Peacock is also the color of my new record r…
Local rock darlings Chastity Belt are streaming their new album I Used To Spend So Much Time Alone on NPR ahead of its June 2nd release on Hardly Art. The new album has them reflecting more within and covering topics like heartache, confronting change, and depression. It's a mature growth from earl…
Summing a two-song barrage in the KEXP studio by New Zealand's Salad Boys, DJ Kevin Cole exclaimed that they sound like "the best of The Feelies, Velvet Underground and Yo La Tengo in one song". While they certainly make a lovable racket channeling those and other legendary bands from their hometow…
Not surprisingly, a country known for its epic landscapes like Iceland also produces similarly cinematic music, like that of Kiasmos. The breathtaking sound of this new duo, featuring composer Ólafur Arnalds and Janus Rasmussen (also of Bloodgroup), was the perfect intro for the first day of KEXP's…
It's not just because they're young (or high) that brothers Jake and Jamin Orrall consider the "classics" bands like Pixies, Beck, and My Bloody Valentine. JEFF the Brotherhood draw from some fairly obvious influences for their sludgy punk-metal sound, but on their new EP, Dig the Classics, the Orr…
In an industry where auto-tune is often synonymous with lack of talent, the vocals of Channy Leaneagh, frontwoman of Minneapolis electro-pop group Poliça, are boldly filtered through reverb and auto-tune on each of their albums. But the use of these tools is an overt stylistic choice for Leaneagh a…
Delorean's synth-heavy alternative dance music resonates like the clean whir of a fully-functioning flux capacitor. Typically, their albums contain influences ranging from punk rock to electronic music, giving Delorean their eclectic sound. Having dropped a new album, Apar, in Fall of 2013 on the N…
Phantogram can't help but fire up your passion. The upstate New York electro pop duo of Sarah Barthel and Josh Carter came on strong with their seductive self-titled EP back in 2009, which they followed with two increasingly alluring LPs quickly in the next two years, but then left us hot and bothe…
Having worked with artists like Q-Tip, Kanye West and J. Dilla, it’s safe to say that Texan jazz pianist and producer Robert Glasper is well connected. His quartet, the Robert Glasper Experiment, includes three talented and multi-influenced musicians; bassist Derrick Hodge, Casey Benjamin on vocode…
Daniel Monkman makes music under the name Zoon, blending shoegaze with traditional First nations. sounds like a tribal drum. KEXP’s Dusty Henry spoke with Zoon to learn how making music brought them closer to their Ojibway heritage.
The Audioasis Youth Initiative is a new project, fostering creative collaboration between KEXP and its Seattle Center neighbors, The Center School. The ability to facilitate educational partnerships like this one was an important consideration in KEXP’s long-term vision for its new home at Seattle …
Everybody likes a good surprise, especially when that surprise is Northwest indie champs The Thermals stopping by Upstream for an unannounced show at KEXP's Occidental Stage on Friday afternoon.
With their 2014 album, "Half the City" released on Single Lock Records, St. Paul & the Broken Bones gave a live in-studio performance at KEXP with a Southern soul vibe that will stick with you for days. Recorded 4/19/2014 - 4 songs: Like a Mighty River, It's Midnight, Call Me, Grass …
