On their debut album, the Seattle trio write songs that make suffering anxiety sound like the wildest basement party in town.
On her stunning debut album, the Portland singer/songwriter approaches her craft with the dedication and attention many people reserve for their gardens.
Mount Eerie's 2017 album, A Crow Looked at Me, was a stunning and devastating document of loss. On Now Only, Phil Elverum attempts to move on with his life while recognizing the grief that is still -- and will likely always be -- with him.
On his new album, the Seattle producer takes a (not exactly) dastardly turn which strongly reflects the unpredictable, self-governing nature of his career.
Olympia noise-wielders Broken Water formed in 2008. By 2015, they broke up almost without a trace. For his first act as Throwaway Style's new columnist, Martin Douglas surveys the trio's all-too-brief tenure.
DoNormaal, The Exploding Hearts, and finding the thread that connects Pacific Northwest music
Seattle hip-hop Kung Foo Grip duo teams up with #based producer Keyboard Kid for their most ambitious work yet
Tacoma's Buje Mane doesn't consider himself a rapper, but he's finding a way to pave new territory in the genre.
Vancouver DJ Jayda G has been on a steady ascent to disco dominance and her latest 12-inch single, Disco Bitch, seals the deal.
At 19-years-old, Parisalexa boasts more wisdom than most of us could say we did at her age on her latest EP Bloom.
Throwaway Style is a weekly column dedicated to examining all aspects of the Northwest music scene. Whether it’s a new artist making waves, headlines affecting local talent, or reflecting on some of the music that’s been a foundation in our region; this space celebrates everything happening in th...
Throwaway Style is a weekly column dedicated to examining all aspects of the Northwest music scene. Whether it’s a new artist making waves, headlines affecting local talent, or reflecting on some of the music that’s been a foundation in our region; this space celebrates everything happening in th...
