Although it was their third time at the festival, Tame Impala's Sasquatch 2015 set was their first appearance at the Gorge that was both planned and executed smoothly. They were a last minute replacement in 2010 and an airline misplacing their gig forced the band to play the far-too-small Yeti stag…
From the beginning, much of the praise directed at Courtney Barnett has been centered on her talents as a clever, affecting lyricist. While that praise is completely deserved – you don’t get away with naming your debut Sometimes I Sit and Think and Sometimes I Just Sit unless you’ve got the incisiv…
"This is our first rap song." Sharon Van Etten may have an extraordinary talent for extracting every last excruciating detail of her romantic failings, but it can't be said that she doesn't have a sense of humor. One of a handful of acts to play during Monday's brief period of cloudy skies, Van Ett…
Although there was plenty of star power on the final day of Sasquatch, there was a clear standout during the early afternoon on Monday, and it wasn't just because brought a Godzilla figurine onstage with her. When an assured Natalie Prass opened with an electric version of "Bird Of Prey", it was cl…
All Things Must Pass(Directed by Colin Hanks, USA, 2015)
Of all of the late night sets at Sasquatch 2015, none was more subtle than James Blake's. Unlike most of the nighttime sets in the Gorge, Blake's performance revealed itself gradually rather than blasting the audience over the head with lights and sound, and it was all the more effective because of…
We closed out our Hood-to-Hood broadcast with a bang, specifically the boisterous crash of Philly-based indie rockers Hop Along. Frontwoman Frances Quinlan has a wild howl of a voice that shook the windows of West Seattle businesses down the California Avenue corridor. With screeching feedback and …
The Hood-to-Hood artist with the shortest commute today was West Seattle's own Michael Lerner, aka Telekinesis. For his stripped-down set from the Junction, Lerner stepped on stage with a guitar and an old-school four track machine, and charmed his neighbors with a short n' sweet set. The set kicke…
A band from Australia is gonna know a thing or two about sunshine, so as the sun beat down on the West Seattle streets, the Melbourne-based band Miami Horror got the party even hotter at the Junction from our Hood-to-Hood broadcast.
In 2018, KEXP celebrated the 30th anniversary of local record label Sub Pop with a four-month retrospective, "counting up" every catalog number in their vast discography of over 1,200 releases. Dig into the archives of our catalog coverage, featuring in-depth coverage on the history of their releases.
