Mount Eerie's 2017 album, A Crow Looked at Me, was a stunning and devastating document of loss. On Now Only, Phil Elverum attempts to move on with his life while recognizing the grief that is still -- and will likely always be -- with him.
On his new album, the Seattle producer takes a (not exactly) dastardly turn which strongly reflects the unpredictable, self-governing nature of his career.
This week's Review Revue revisits The Breeders' landmark debut. See what KCMU DJs thought back in the day.
Olympia noise-wielders Broken Water formed in 2008. By 2015, they broke up almost without a trace. For his first act as Throwaway Style's new columnist, Martin Douglas surveys the trio's all-too-brief tenure.
DoNormaal, The Exploding Hearts, and finding the thread that connects Pacific Northwest music
This week's Review Revue revisits one of David Bowie's "lesser-liked albums." See what KCMU DJs thought back in the day.
Seattle hip-hop Kung Foo Grip duo teams up with #based producer Keyboard Kid for their most ambitious work yet
This week we're looking at the second album from the Red Hot Chili Peppers, who now need no introduction, but in 1985 were far from a household name.
Tacoma's Buje Mane doesn't consider himself a rapper, but he's finding a way to pave new territory in the genre.
In 2018, KEXP celebrated the 30th anniversary of local record label Sub Pop with a four-month retrospective, "counting up" every catalog number in their vast discography of over 1,200 releases. Dig into the archives of our catalog coverage, featuring in-depth coverage on the history of their releases.
