People have strong opinions about things they love, and college radio DJs are no exception. Just ask KEXP blogger Levi Fuller. For the last ten years, Fuller has transcribed comments and conversations hashed out by DJs at KCMU -- KEXP's old call letters -- on the covers of LPs from the station's vi…
Seattle, you never cease to amaze us with your passion for music, and we love you for it! Despite rare high temperatures in the mid-90s, over a thousand of you came out last Friday for the latest edition of Concerts at the Mural. And, a little heat was so worth it with the great bill we had. Local …
There's a new pop-savvy sheriff in Sub Pop town, and he goes by the name of Cullen Omori, and instead of having to wield a Smith Western to corral a crowd's attention, all he has to do is coo his name. Omori quickly became a wunderkind as one of the instrumental brains of the Chicagoan outfit Smith…
KEXP counts down the top albums of the last 50 years as voted on by our listeners in conjunction with our 2022 fall fundraising drive.
When Beth Orton stepped onstage at the Triple Door on a Thursday night, it was a night of great change for the Norfolk singer. Bathed in a gauzy lighting display seemingly pulled straight from an Animal Collective production, Orton acknowledged that it was a quite significant night for her: "My cou…
It's a short list of new releases this week, as all eyes and ears are on the SXSW festival, but there are a few key releases you'll want to pick up in stores today. First and foremost, the latest from David Bowie, whose first album in ten years is not only a surprise to all David Bowie listeners an…
Back in 2013, Noel Gallagher said he was too busy talking about Jagwar Ma to reform Oasis. That was before their first record was even released, and once their debut, Howlin, hit the airwaves, Sydney's Gabriel Winterfield and Jono Ma quickly entered the ranks of Tame Impala and Django Django. Jagwa…
Portland band Radiation City have come a long way since their cassette-exclusive underground releases, tapes that quickly earned praise for their vintage stylings, pleasant dream-pop explosions over 60's harmonies and sways, synth parts that sound like what people thought 1984 would sound like befo…
A review of Fauna Shade's single "Marzipan" described their sound as "Floydian... zapping electronic wiggles." This simultaneously whimsical yet vague description fits the band perfectly: their sound bounces through all the psychedelic subgenres, with droning stoner fuzz meeting some of Tame Impala…
What's better than a surprise free album from one of your all time favorite bands? A surprise free album from one of your favorite bands that puts them at the top of their two decades and running game. Wilco wrapped up their contract with Nonesuch back in 2010, after their fourth release on the lab…
Listening to No Cities To Love, the eighth album by Sleater-Kinney, has to be done with one thing in mind: Sleater-Kinney did not have to make this album. That's not meant in a idol-worshipping, "we're not worthy" way, but quite literally. They all have alternate careers that they're perfectly happ…
On A Deeper Listen, host Emily Fox and KEXP’s editorial team talk with artists about the stories behind their songs and the experiences that inform their work. Through each conversation, we uncover the humanity behind the music, allowing us to hear it in a whole new way.
You've probably watched a lot of our in-studio videos, but you probably haven't seen one quite like this one from Seattle's eccentric, Johnny Cash-saddled Brent Amaker and the Rodeo. Having been around for ten years, Brent Amaker and the Rodeo certainly have their sound and live performance down pa…
Seven years without a new album. Nearly biannual membership shuffles. Repeated reports of studio sessions without any release. For a minute, Modest Mouse looked like they might have been heading down the lucrative but artistically fruitless legacy act path that a few of their contemporaries are sta…
On Subjective Concepts Olympia trio Strange Wilds have produced a faultless full length of feedback ridden, jagged jams that have helped bring a riotous, rebellious renaissance to Seattle’s notorious label, Sub Pop. To discuss the cover art, steeped in the same tightrope tension as the music, KEXP …
One stage over from the Bigfoot stage at Sasquatch! Music Festival, where the perpetually-relaxed Kurt Vile was leading the Violators through a set that "languid" doesn't even begin to describe, the dance tent was bursting with bass and a flood of seizure-inducing strobe lights. Naturally, Vile did…
KEXP listeners voted for their top 666 albums of all time in coordination with our Fall donor drive.
