KEXP is excited to present another special all-electronic edition of Audioasis this Saturday, September 5th! This weekend's show is a celebration of this year's upcoming Decibel Festival that will be held all across the city of Seattle from Wednesday, September 23rd through Wednesday, September 27t…
Though it's the first album released solely under his own name, there is a strong argument to be made that Everyday Robots is not the official solo debut of English legend Damon Albarn. That could be the soundtrack to the 1999 film Ravenous, which was the first music outside of his then-main band B…
At KEXP, we get excited about a lot of Icelandic bands, and we're thrilled to watch so many of them reach the wider audiences they deserve, but few seem as immediately poised for arena rock stardom as Mono Town. The trio's emotive and often explosive songs draw heavily from a shared love for Britp…
"Stick with the old stuff, Win." That's the advice that Butler gets from Carl the roadie (Rainn Wilson) after playing a bloated, belligerent rendition of Funeral cut "Wake Up" during the fictitious Arcade Fire performance in the Reflektor accompaniment film Here Comes The Night Time. Here, Butler i…
The album cover for Minnesota rapper Brother Ali's 2012 LP, Mourning in America and Dreaming in Color, features the Muslim artist praying towards Mecca and kneeling on an American flag as his prayer rug. The image encapsulates much of the spirit which Brother Ali has staked his career on. Brother…
I've probably said this before, but this is kind of the perfect Review Revue album. Released on RR favorites Shimmy Disc (see also here and here and here and here and oh yes, over here), featuring members of Half Japanese, partially recorded at Inner Ear studios (okay, that's more of a me thing), b…
Sweatson Klank is the alias of Los Angeles-based electronic producer Tom Wilson, also previously known as Take. He's a veteran of the underground beat scene with releases for revered labels such as Brainfeeder, Project Mooncircle, Alpha Pup, and All City Records. He's consistently evolving his cutt…
Since 2012, Freakout Records has taken over venues in the Ballard neighborhood for multiple nights of blaring, sweaty, and all around thrilling local music with their namesake Freakout! festival. Now entering its fifth iteration on November 17th and 18th, Freakout! is stepping up with one of their …
Today's Song of the Day, as chosen by Kevin Cole, host of Drive Time on KEXP, is "Luna" by Roosevelt, a 2023 single from Counter Records.
Today's Song of the Day, as chosen by Larry Mizell, Jr., host of The Afternoon Show on KEXP, is "wana" by nour,a 2023 single on Ra Records.
Today's Song of the Day, as chosen by Kevin Cole, host of Drive Time on KEXP, is "Ischia" by Siula, a 2023 single on Libertino Records.
Today's Song of the Day, as chosen by Eva Walker, host of Early on KEXP, is "WannaBe" by Autogramm, a 2023 single on Stomp Records.
Today's Song of the Day, as chosen by Sharlese, host of Mechanical Breakdown, is "Labyrinths" by The KVB, a 2024 single on Invada Records UK.
Every Monday through Friday, we deliver a different song as part of our Song of the Day podcast subscription. This podcast features exclusive KEXP in-studio performances, unreleased songs, and recordings from independent artists that our DJs think you should hear. Today’s selection, featured on The…
His new album Pure Comedy may be in stores now, but Father John Misty hasn't stopped sharing new music. FJM (real name: Josh Tillman) covers the Velvet Underground classic "Who Loves the Sun" off their 1970 LP Loaded for the Mondo Boys score to Shangri-La Suite, a feature-length film from Los Ange…
It feels like a long time since we last saw Animal Collective, not because three and a half years is an egregiously long time to wait for a new album, but because so much has happened since then, both within the Collective and out of it. Centipede Hz came out in September of 2012, an album which, i…
FFS, the eponymous debut album from the collaboration project between Franz Ferdinand and Sparks, feels a bit like a beautiful car crash in slow motion. I say slow motion because the two objects that make up the collision seen here have been careening towards each other since the good old days of 2…
I don't know about you, but I feel like it's been a long time coming for Phantogram. Maybe that's just because the New York two piece has found a way to write songs that stick with you and make a deeper, lasting impact on the heart and mind than their counterparts. Or, maybe they've just spent thei…
