KEXP Reviews
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- (Interscope)
Loretta Lynn has always been my favorite female country singer, and one of
my favorite songwriters. She personifies the down-to-earth directness and
deep rural soul of traditional country music -- her rags-to-riches life
story and her best songs are rightfully a part of country music legend.
In a bold stroke, she hooked up with big fan Jack White of the White
Stripes (their album White Blood Cells was dedicated to her). He produced
Van Lear Rose, played guitar, occasional piano and percussion, and also
sang some backing vocals. Make no mistake though: This is Loretta's
album. She wrote every one of these magnificent songs, and many of them
are Loretta at her very best, exploring a range of traditional country
themes and parts of her own storied life with the fearless honesty that's
made her famous. Every song here is overflowing with Loretta's
endearingly earthy personality.
The sound ranges from traditional country to some ferocious blasts of
bluesy roots-rock -- some of this stuff is just plain incendiary: "Mrs.
Leroy Brown" rocks nearly as hard as "Seven Nation Army," while the story
it tells is classic Loretta -- a fed-up wife chasing down her philandering
husband and his girlfriend, going from bar to bar in a pink limo, rented
out by emptying her husband's bank account, and giving them hell once she finally tracks them down.
Other highlights include "Portland, Oregon," a fabulous duet with Jack
about the joys of getting drunk in the Rose City, the spare traditional
country sound of "Family Tree," where Loretta confronts the "trash...
burning down our family tree" with kids in tow, accompanied by mournful
fiddle and steel, the touching story of her mother's beauty told in the
title song, the first-person tale of a woman on death row about to be
executed in "Women's Prison," the feeling of being disconnected from God
in "Trouble on the Line," the simple joys of country living expressed in
the acoustic singalong "High on a Mountain," and the emptiness in her life
after the death of her husband Mooney heard in both "This Old House" and
"Miss Being Mrs."
And remarkably, at age 69, Loretta gives some of the best singing
performances of her career -- not only is her voice still in great shape,
but she also still sings with an honesty and directness that lesser
mortals can't touch.
Some fans might be put off by the rawness of the sound, not to mention its
occasional fierceness, but that's their loss. Van Lear Rose is the most
distinctive and just plain real-sounding country album I've heard in a
long time.
4/8/2004
- Don Slack
Other Loretta Lynn album reviews:
Van Lear Rose - 4/12/2004



