The Vancouver band's fourth release in a little over two years is a high-concept ball of threadbare post-punk. In a special Friday edition of Throwaway Style, Martin Douglas explores the shades of green displayed on the album.
A Seattle underground supergroup of sorts, Big Bite take most of the best parts of Northwest rock music, stir them all around, and kick them up along with a cloud of dust. Their eponymous debut full-length is indicative of both their alchemy and ability to veer away from formula.
David Bazan discusses taking up his old moniker once again, the next five Pedro albums, and utilizing his platform to bring attention to white male privilege and abuse against women.
On the first new full-length under the beloved Dear Nora moniker in almost twelve years, Katy Davidson's songs are as riveting and alluring as they've ever been.
The new single from the forthcoming RNB Vol. 1 finds the Portland group exploring the ruins of a relationship through the prism of their trademark brand of spacey electro-soul.
A moonlit drive away from the trio's basement-murky art-punk, "Rebirth" is a foray into spacious, resplendent territory for the band.
Dumb's Seeing Green comes out June 22 via Mint Records.
Floating Room's False Baptism comes out June 22 via Good Cheer Records.
On their new single, the Seattle trio combat systemic oppression using the Trojan Horse of an enormously hooky rock song. Catch Tres Leches at Upstream Music Fest this Sunday at 8:30pm!