Review Revue: The Bambi Slam - The Bambi Slam

Review Revue
11/01/2018
Levi Fuller

Welcome to Review Revue, where every Thursday I dig through the KEXP stacks to share DJ reviews and comments written on the covers of LPs (and occasionally CDs) in the ’80s and ’90s, when the station was called KCMU, the DJs were volunteers, and people shared their opinions on little white labels instead of the internet.


The Bambi Slam, like so many of the artists covered in this series, is an unheralded and nearly-forgotten group — or, actually, one-person group — that we should all be listening to, from what I'm reading below and other descriptions of them (him) I've found. Shoegazey rock with sax and cello? That might be your personal nightmare, but I am 100% in. (On a personal note, the only band I was ever kicked out of was a rock band I played sax in, so I'm always pleased to see successful examples of sax in rock.)

If you want to know more about The Bambi Slam's origins and influence, dig deep into this stellar blog post and interview from 2009 (ain't the internet just magical sometimes?). If you want to know what KCMU's DJs thought of this record, read on!

"Their 1st US release. From what I can figure out, we only have 1 song in here already. More fine noisy guitar pop/rock with novel touches of sax and cello. Good."

"Hey! They rip off the Wipers cover." [I have no idea what this is in reference to. If one of these songs is a Wipers cover I could not figure out which one.]

". . . well, sorta."

"This is great, especially w/a cello! They have been only import, I wish them success!"

"Ok so I like this dancy pop stuff so I'll just admit in front of god + everyone."

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