On his new, six-track EP, the Seattle rapper/producer co-stars with a host of rising and incumbent stars of the local rap scene.
Twenty-four years into their art-rock anthology, Cursive continues to lyrically demonstrate their socio-cultural angularity and irreverent staying power on Vitriola
Each week, KEXP’s Music Director Don Yates shares brief insights on new and upcoming releases (joined this week by DJ Abbie Gobelli). See what's coming up this week below, including reviews for new releases from Matthew Dear, Kurt Vile, Yowler, Elvis Costello, and more.
Six years since the release of his last album under his birth name, Matthew Dear has crafted a wildly varied, eclectic, and mesmerizing journey of an album with Bunny
On a special Friday edition of Throwaway Style, Martin Douglas explores the new album from the Seattle grunge (not "neo-grunge") trio.
See what's coming up this week below, including reviews for new releases from Phosphorescent, Swearin’, Cat Power, and more.
The Seattle trio's thrilling full-length debut is a musically omnivorous act of rebellion and exploration of style.
The collaborative EP from Justus Proffit and Jay Som "crystalizes their poignant stylizations of singer-songwriter that transcends their signature, bedroom rock modus operandi."
Each week KEXP's Music Director Don Yates (joined this week by DJs Alex Ruder and Abbie Gobeli) shares brief insights on new and upcoming releases. See what's coming up this week below, including reviews for new releases from Fucked Up, NAVVI, Richard Swift, and more.
Essential viewing for anyone interested in the marbled history of punk culture, Queercore: How to Punk a Revolutionscreens this week at the Northwest Film Forum.
Each week KEXP's Music Director Don Yates (and this week's special guest DJ Abbie) shares brief insights on new and upcoming releases. See what's coming up this week below, including reviews for new releases from Christine and the Queens, Cumulus, Gabriel Teodros, and more.
The Portland-based artist's new album (recently re-released on Saddle Creek) offers a singular perspective on the concept of losing things, whether it's an ideal or a person.
